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Shveta Arora’s performance diary records a presentation made for Shishu Mandir in Bengaluru. The full recording is no longer available online.
Read the diary ↗My creations / Bharatanatyam solo
A conversation
before the first meeting.
I explore the love a mother feels for a child she has not yet met. The moment of meeting becomes a moment of separation — and the bond takes a new form.
Watch an excerpt ▷
The idea
Ayoga Shringara offers the idea of love before the lovers have met. I bring that question into Vaatsalya: the affection between mother and child.
The work moves through expectation, imagined moments of play and the intensity of birth. The physical cord is cut; the emotional relationship continues.
In the 2026 presentation, my English poem Pratyasha (Expecting) forms part of this dialogue. The 2023 Kalpodip Utsav presentation was reviewed as a tribute to my grandmother and guru, Saroja Vaidyanathan.
Concept & choreographyDakshina Vaidyanathan Baghel
Music in the 2023 reviewed presentationSudha Raghuraman · Raga Jog · Misra Chapu
Accompanying musicians, 2023Manohar Balatchandirane · mridangam
G. Raghuraman · flute
K. Sivakumar · nattuvangam
The musical credits above refer to the Kalpodip Utsav presentation reviewed by Dr. Navina Jafa; arrangements may vary by performance. Read the review ↗

The journey of the work
Shveta Arora’s performance diary records a presentation made for Shishu Mandir in Bengaluru. The full recording is no longer available online.
Read the diary ↗Dr. Navina Jafa’s review documents the piece at the eighth Kalpodip Utsav, India International Centre.
Read the review ↗The archived programme for Expecting! lists the work at Triveni Kala Sangam on 3 May 2026. Leela Venkataraman’s review followed on 28 May.
Explore the programme ↗ Read the response ↗In motion
Short excerpts shared publicly from Shamiyana at the India International Centre. These open at the original publisher; Instagram may ask you to sign in.
Vrindan Foundation · Instagram · 2026-04-04
Vinay Tiwari · Instagram · 2026-04-05
The 2021 full performance was time-limited and is no longer publicly available. These excerpts are not presented as the complete composition.
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